Three Poems by James Dowthwaite
"In the soft breathing of the city’s hours, / the town heaves"
Iterations of the Ziggurat
London, 2023
I
The lights are insistent
like sequins on a ballgown,
calling the shadows to them.
II
A great needle pricks the night
and the city gathers around the hole,
limiting it.
III
The Ziggurat is in the city
like a dancer who stills to poignancy
while the room around them keeps turning
for a divine moment.
And all of its meaning is there
in that supple stillness
between the hush and the applause.
IV
Like a great angel,
it watches the night,
guarding the god enclosed in its glass;
the wounded priests are restless about it.
In the darkness they turn
and pray
beyond the tower.
V
In the soft breathing of the city’s hours,
the town heaves,
and the purple light of the tower wavers.
VI
From the bridge, it is interrupted
by the top of a passing bus, by large hotels,
and your attention is caught by the sound
of the river raising its metallic strings
or autumn waiting in the staid potential
of a grey wind, disappointing the light.
VII
God of the skyline,
hanging like a poltergeist
in the threshold of an ancient house.
grey with the greyness; glass in the cold.
Song Against Ghosts
Translated from the Akkadian
You dead ones, why won’t you leave me alone?
you citizens of ruined states,
you people of nothing but bone.
I have not snuck in to the gatherings at your cultic places,
so why are you bothering me at mine?
Let the goddesses of destruction and hell call you up,
or the gods’ scribe, let him summon you,
with his lapis lazuli and carnelian pen.
Reclining Nude
They asked if we saw the sunset over Babylon, the event itself, that cooling element of a way of life drifting off its edges, and I said no, no, we were lost in other things; you are so unfortunate, they tell me, to live on the edge of Armageddon. Well maybe, but the fire throws such fine light on the curve of your breasts as you breath in, and I’d rather watch you raise your knee in a slow passionate outline against the day. The sun is the background to your body or what little light we let between the walls when you lay on your back, stretched out, facing the bath running your hands over the air, kissing the light.
Marvelous stuff! Any complaints about 'pompous grandiosity' (below) absolutely misses the point; the tone, the urgency, the verve of the speaker matches this distant context of ancient Mesopotamia. And that's what makes the shift in "Reclining Nude" to close on tenderness and lyricism all the more profound: "running your hands over the air, kissing the light." Lovely.
Thank you for posting these poems! Really enjoyable and I hope to see more from James in future.